May 18, 2012 § Leave a comment
Steve Rose’s group of artists displayed their incredible pieces in the Great Hall yesterday afternoon. We were able to snap a couple of quick pics to share online…
May 9, 2012 § Leave a comment
Growing up, art has always been an integral part of Matthew’s life – that and dreams of one day playing professional baseball. During his early teens Matthew spent his summers on house league and competitive teams, but as it started to get more serious, the fun seemed to slip away. The fun from drawing all his favorite comic book characters, however, never did. Although making millions of dollars batting a ball around was attractive, playing with pencils and paints seemed to take precedence.
Was it the right choice? Probably.
After attending an arts high school Matthew Mancini went on to study in the fine arts program at the Ontario College of Art and Design in Toronto. However, after his first trip to Italy, it became clear that traditional figurative and landscape work was something he wanted to explore. OCAD leaned more towards the conceptual and abstract aspect of art which did not appeal to him.
Upon his return, he left OCAD after completing two years to pursue a more classical realist approach that led him on a six-year study at a private atelier in Toronto of the techniques used in the 19th Century ateliers of Paris, France; those of which are based on trade secrets handed down since the Renaissance. Much of his work seeks to return to the archival craftsmanship of the old masters, as well as the humanist principles found throughout past movements of art. Most influential to his work are the paintings of John Singer Sargent, Joachim Sorolla, Zorn, Ilya Repin, Kramskoi, Rembrandt, Monet, and Annigoni to name a few, where the techniques of each combine to find their way into his own paintings.
Having a foremost interest in portraiture, landscape painting has become increasingly of interest. With Matthew’s spouse getting work in Minden, Ontario, in 2011, the move has given him ample opportunity and inspiration that Toronto can’t offer in the same way. The Canadian landscape is some of the best in the world and with formal portrait paintings taking anywhere from 1 to 3 months, the immediacy of landscape painting is quite satisfying. Becoming part of the Fleming College community in the fall of 2011 has been a great experience for Mancini as well, teaching workshop courses, and soon to be joining the talented roster of the Visual Arts Fundamentals: Drawing and Painting instructors.
This summer he will be attending ‘Art in Action’ in London, England: an annual event in which artists set up their studio and work while onlookers interact with them. Artists travel from across the UK and, in celebration of Queen Elizabeth’s diamond jubilee, from commonwealth countries, as well. This event attracts more than 25,000 visitors over four days, and Matthew will have the honor of representing Canada.
Matthew’s days are spent learning, painting and teaching, as well as preparing works for upcoming events.
He can be reached via his website at http://www.matthewmanciniart.com/
Matt will be teaching summer art courses at HSTA, as well as courses at the Peterborough campus in the fall:
Painting – Design & Composition, July 9-13
Figure in the Landscape, Aug 13-17
Portraiture Workshop, Oct 27th, 9am – 5pm, Peterborough Campus
For more information on the courses including course descriptions, please go to http://flemingcollege.ca/school/haliburton-school-of-the-arts#course-calendar
May 4, 2012 § Leave a comment
Fibre artist, Elisha Barlow, took the students through the amazing process of creating screens, using a light table, rinsing, squeegee-ing, and stenciling. Many of the students wore their amazing pieces home at the end of the day!
The other half of the group enjoyed an all-day landscape drawing & painting workshop, led by Matt Mancini (soon to be this week’s Artist of the Week). Practice in the morning with pencil and paper was followed up by applying acrylic to canvas after lunch resulting in some truly beautiful creations.
Browse through the images below to see the amazing work of these talented students!
May 2, 2012 § Leave a comment
Dissected artists. (click link for more info)
Take a peek at this fresh idea!
Do you know what the insides of the greatest painters looked like?
Who’s got the best guts?
April 24, 2012 § 2 Comments
Did you miss out on this semester’s show?
Catch up on what you didn’t see by checking out these amazing pics!
February 22, 2012 § Leave a comment
Art: it inpsires, it thrills, it liberates, it shares, and of course, it makes us feel. Feeling does not always come when you’re an observer; occasionally, art does not move people at all. But most often, it moves people differently. Three people all looking at an apple see the apple in very different ways… But, when you’re looking at a painting of an apple, what do you feel then? The awe and wonder the artist has for such a delicious and beautiful fruit? Do you understand the loathing for a healthy snack, forced on the artist for years by health-conscious parents? Or perhaps, there is no feeling at all: a lifeless, wonderless piece of art?
This week’s Artist of the Week, Cassandra Hincks, offers to the viewer a true bevy of emotion. She evokes everything from whimsical fancy, to adventure, to the very stuff of a coulrophobe’s worst nightmares. The emotional journey this emerging artist can inspire is breathtaking… But how did she start?
Her journey began with horses, her first subjects, at a very young age. Their grace and majesty filled pages in her sketchbook as she was drawn into the world of art. “It then grew into a sort of therapy for me and helped me to forget about the world for a bit,” she explains. “It was something I could get lost in and just become completely focused on and I loved it.”
Needless to say, her focus was worth the effort, as her passion grew so, too, did her skill. She began to explore the minutist details of nature: water droplets on a leaf after a rainfall, a misty morning in the woods, the tufts of hair on a beloved cat. Her eye for detail became ever more attuned to the world around her. And what catches her eye serves as inspiration. It allows her the freedom to choose various subjects, to try new things and to explore the limits of what can be transferred to a canvas or a sheet of paper.
“My inspiration comes from many things, but mainly thoughts, experiences, and just random ideas that pop into my head. I’m pretty much just exploring everything that I can and trying to find myself as an artist as well as a person.”
No stranger to a small-town atmostphere, Hincks understood she was never meant for the “big city”. Raised in Nippissing, it was the quiet presence of nature that first drew her to the Haliburton School of the Arts: the intense dislike she feels for the fast-paced environment of city-life was not the ideal headspace for her…
While attending her program, Hincks explored the connection between fibre and painting, weaving the mediums together into intriguing compositions. “[At] school I learned so many things, it made it really hard to find a medium I absolutely love; I enjoy little things about them all so I combine them a lot and switch back and forth. Right now, I’m exploring graphite on raw canvas and embroidery.”
And her explorations are certainly poignant: although the experience might differ for every viewer, there is no question that every viewer will certainly feel something when they experience Hinck’s works.
To view more of her work, please go to www.cassandrahincks.weebly.com .
February 10, 2012 § Leave a comment
Ecstasy. Religiosity. Passion.
Angie Quick can tell you all about bold: colour, shape, size. Both in painting and glassblowing, her art is anything but timid. Best of all, she has found a way to reconcile both mediums, allowing her glassblowing pieces to appear as characters in her paintings, and likewise infusing imagery from her paintings on the blown glass. Many of her works invoke the breathtaking scenery of her sojourn at the Haliburton School of the Arts, as well as the organic and spontaneous nature of the Earth.
Art is the endeavour to carnalize religion; it is the deification of man’s purpose. My art feasts on the will to live; the divine passion of being. The art is enshrined by the idea that the soul must devour itself to purify the meaning: art is the life. Painting is the extension of the ideal.
My works deal in an encyclopedia of symbolism: beautiful women, an excess of flora, fabric, and a good deal of coupling. I highlight moments of aspiration representing the ascendency of spirit. This is shown through the depiction of ritual, through religiosity without structure incarnated by pattern and rhythm. It is a marriage of logic and faith, wild passion within structured domains, and a straight line decomposing into reckless ecstasy.
I mainly work with oil paint on a large scale, as well as blown glass vessels that are later painted. My paintings and sculptures depict the curvature of form and awareness that the body is majestic; the flesh is contrasted with ornate fabric. With wild strokes I explore the depths of ecstasy. I create visions of life through imbibed eyes, spilling out a body of work consisting in large oil paintings, sculptures and painted vessels. My glass vessels echo my paintings through imagery and the use of luminous primary colours.
Angie can be seen as part of the upcoming group show called “Eclectic”, at The ARTS Project London, Ontario, from February 21-March 3 2012.
She can be reached via email at email@example.com or through her website angievquick.com