January 28, 2012 § 1 Comment
“There’s a photograph of my sister and I, taken when we were still quite young, as we painted watercolour masterpieces along the shoreline of our family cottage on Georgian Bay. The photograph, as well as the painting that I made that day, have been perpetually preserved, laminated side-by-side into a placemat. On the underside is another watercolour I made around the same age: a copy of a Tom Thomson waterfall from the McMichael Canadian Collection. The placemat is sort of faded now; bits of dry macaroni and cheese give it a rough texture. It doesn’t look like much, but thinking of it now, it represents the foundation of my artistic life.” Ian Turner
I graduated from high school a year after my classmates, following a botched attempt at becoming a professional cyclist. A fresh start and new direction were required: I jumped the first freight train headed for Vancouver, intent on studying science at Simon Fraser University. Perhaps not quite so intent after all, as alas! I spent too much time on sketching trips in the mountains and not enough time studying chemical formulae… They sent me packing, needless to say, precipitating my return home to Toronto, now somewhat rankled and directionless. What seems like an obvious conclusion to my apathetic state was much less clear at the time, when I hesitantly – to put it mildly – signed up for a few art courses in the city. I was lucky and had good teachers; I met with positive feedback and encouragement.
I came to the Haliburton School of The Arts – Fleming College last fall with a desire for a thorough grounding in drawing and painting: to be beat over the head with the fundamentals, like an apprentice in Michelangelo’s studio. What I greatly appreciated about the school was the friendly intimacy and lack of pretension that might have turned me away from a larger institution, much like a young Claude Monet turning a cold shoulder to the Académie.
I don’t imagine any artist can ever ignore or escape from the influences of their childhood, even if they wanted to. The work of men such as Tom Thomson, Lawren Harris, and J.E.H. MacDonald, will always hold a special place in my heart, and rightly so. But, as I have grown and my creative vision and personal awareness have widened, I have felt the need to stretch. My inspiration as an artist comes from a wide appreciation of artists throughout history and in my current practice I am exploring styles from the Renaissance to the Abstract Expressionists, in order to develop a more intimate relationship with art history. With so much information available to us, with the evolution of the Internet, our shrinking world, and the greater availability of books and publications, we, as artists, have access to more knowledge and inspiration within our field than ever before.
Presently working out of a studio in Toronto which, in a former life, was best known as my sister’s bedroom – one of the perks to having a sibling studying out-of-province – I am applying myself with my characteristic conscientious enthusiasm, haunting the halls of the Art Gallery of Ontario, and slowly laying waste to my bank account with open studio life drawing/painting sessions across the city.
This coming Fall, I will begin my studies in Art History at the University of Toronto, questing ambitiously after my Muse. Though in all due modesty, I find myself less and less prone to chancing upon a book touching on art or an artist that I have yet to read.
Look out for me at Exhibitions in the near future. In addition, I, like many of my illustrious apotheosized forbears, am always grateful for commissions.
Interested parties may contact Mr. Turner by phone at 416 423 5526
January 28, 2012 § Leave a comment
Fleming College – Haliburton School of the Arts has so many great and talented individuals walk through these halls that we decided it was time to showcase them.
Starting now, once a week, we will feature our “Artist of the Week”: a real, living breathing artist that, at one time, attended one or more of our programs. Quite often, the artist will have their own website so be sure to follow the links!
If you are a former student (or know one!) and would like to be featured on our blog, let us know! We’d love to hear from you!
November 18, 2011 § Leave a comment
Dean of the Haliburton School of the Arts, Sandra Dupret, and Photo Arts Faculty, Andrzej Maciejewski, both participated in a new food-themed exhibition for the Gallery Project in Ann Arbor. The following is a review of the Show by Jennifer Eberach for annarbor.com.
Gallery Project offers some ‘Food for Thought’
Tue, Nov 15, 2011
Part of James Reynolds’ “Last Supper Series” in “Food For Thought.”
Gallery Project investigates our relationship with food from every angle in “Food for Thought.” 38 artworks of all sorts created by about 30 contributors reveal how food touches every aspect of the human experience—from personal reflections, to cultural critiques, social or political statements, to thoughts on health, and beyond.
Gallery co-director Gloria Pritschet, who co-curated the exhibition with co-director Rocco DePietro and Plymouth artist Kevin Ewing, thinks it is the perfect time to do an exhibition about food. “Food is really up for people right now,” she says.
“The White House addressed food issues and obesity, and people are talking about issues of class and availability of healthy food. Many people have been scared by different food poisonings. I think more people are reading labels and realizing what’s in their food. And the local food movement, which is represented in the show, is gaining strength. It’s a sign that people are waking up to what they are putting in their mouths,” she says.
Some of the artworks draw awareness to where food comes from, how it is farmed, and what goes into it before it hits our plates. Joshua and Sarah Smith, who live on a ranch in Rawlins, Wyoming, raise grass-fed beef. Their hanging sculpture and poem “Poaceae” gives visual form to the old saying, ‘you are what you eat.’ Wire mesh shaped like a slab of beef is filled with grass and hung from a meat hook. The accompanying poem and the artwork draws attention to our place in the food chain and how “we feast on these beings/ which sup on these grasses,” as the poem reads.
Nearby, a series of documentaries of lectures by famous autistic animal behavior pioneer Temple Grandin play. Many have seen actress Claire Dane’s portrayal of Grandin in the recent award-winning biopic. She is famous for designing farm animal handling techniques with the perspective of the livestock in mind.
Local cake artist Heather Anne Leavitt only uses local ingredients to make her Sweet Heather Anne cakes. Her six-level Mile High Cake is a Styrofoam version decorated with real icing. The decorations on the cake diagram where each of the cake’s ingredients came from before reaching her kitchen—all local places like Tantre’ Farm and Sunrise Poultry.
A number of the artworks in “Food for Thought” examine topics like consumer culture and the food choices we make. Artist Sandra Dupret of Haliburton, Ontario charts her own eating habits over her lifetime in a series of felt artworks on 15 small canvases, “A Personal Food Evaluation, 1969-2011: The Early Years, The Middle Years, Recent Years.” Over time, she went from eating highly processed foods to more natural food. For example, she ate Cheez Whiz when she was young, cheese-flavored crackers when she was a bit older, and now she eats just plain old cheese.
Artist Andrzej Maciejewski of Yarker, Ontario contributed three still-life photographs of fruits from his “Garden of Eden” series. The pieces play off the way classic still life paintings from art history celebrate the beauty of nature and fertility. However, in Maciejewski’s version, all of the labels are left on the fruit, uglying up the composition and distracting the eye. His artist statement hints at how the work shows how people are “slowly destroying nature.”
A few pieces employ a survey in one way or another. One of the artworks Pritschet contributed to the show, “Where did you eat lately?,” polls gallery visitors on where they were when they ate recent meals. People ‘vote’ by putting marbles into different types of cups labeled with phrases like “watching TV,” “in my car,” “at my desk at work,” or at the “dining table,” which are popular choices.
James Reynolds, an artist from London, England, documents what prisoners on death row ate for their last meal in his “Last Supper Series,” photographs of orange food trays. Long Beach, Calif. artist Rebecca Sittler weighed meat patties served at independent restaurants in her area for her work “The Weight of Non-Franchise Meat.” She documented each with a photograph, paying homage to Robert Cumming’s 1971 artist book “The Weight of Franchise Meat.” In her artist statement, she explains that the work documents “an imaginary ‘burger war’ between independent restaurants the exists in the shadows of larger franchised establishments.”
Ann Arbor artist Tom Nighswander’s photographs, “Dumpster Diving,” document one Saturday night’s worth of trashed food in Ann Arbor trash bins. “I try to show the carnage and beauty that can be found in everyday trash,” he says in his artist statement.
There are also highly personal accounts of food in the exhibition. Ann Arbor artist Julie Renfro mounted some of her mother’s recipe cards in frames and decorated them with beads and small objects. All together they resemble a patchwork quilt of a personal history.
And Rocco DePietro describes his pastel and pencil drawing “I’m Staying for Dinner” as a scene from a dream he had about being served a soup full of animal parts amongst figures he describes as “zombies.”
Near the back of the gallery, two pieces present disturbing views of meat. Bloomington, Indiana artist Lauren Duffy’s “Reaching, Falling, Crawling” ceramic sculptures depict featherless chickens with huge seemingly genetically-modified chests. They look as if they are almost ready to go to market, save the fact they appear to still be alive, struggling on the floor.
A more disturbing and transgressive look at the topic of food is Thomas McMillen-Oakley’s “White Meat,” a photograph showing a nude man from the back, chained up with his different sections marked off with a black marker, as another man gets ready to butcher him like a farm animal.
The exhibition contains many thought-provoking works that ask you to consider your own relationship and feelings about food. More artists in the show include Jason DeMarte of Ypsilanti, Brenda Oelbaum of Ann Arbor, Hilary Dana Williams of Des Moines, Iowa, Erin Garber-Pearson of Toledo, Ohio, Melanie Manos of Ann Arbor, Cayla Skillin-Brauchle of Athens, Ohio, Amy Feigley-Lee of Detroit, Teresa Peterson of Detroit, Jamie Fales of East Islip, New York, Rob Todd of Ypsilanti, Katie Halton of Ann Arbor, Joel Panozzo of Ann Arbor, as well as an installation of photographs, a video, and pamphlets about threatened foods from Slow Food Huron Valley and Slowfood International (care of Kim Bayer, an annarbor.com community contributor who wrote about the exhibition).
In the end, choices about what we eat and how we feel about food and the natural world are highly personal. Instead of telling us what to think, “Food for Thought” asks the viewers to be conscious of their own feelings and opinions. “Each decision is right for each different person depending on your own value system and your own context. The exhibition represents a lot of different people’s contexts,” Pritschet explains.
“Food For Thought” is on display through Dec. 11 at Gallery Project, 215 S. Fourth Ave, Ann Arbor, USA.
May 15, 2011 § Leave a comment
The May issue of Muskoka Magazine features recent alumnus, Joy McCormack. Joy attend the Drawing & Painting Program in fall of 2010. She has promoted HSTA’s programs since the moment she walked through our doors through conversations with others, presenting her experience at Huntsville Rotary, and now in her recent coverage in Muskoka mag.
May 10, 2011 § Leave a comment
Congratulations to our Sustainable Building Design Team!
The 2010 project, a Habitat for Humanity home built in Peterborough, has won “Affordable Home of the Year” at the Inaugural Home Sweet Home Competition presented by Ontario Green Spec.
The Home was nominated by Habitat for Humanity Peterborough and District for its innovative partnership that built a healthy, efficient, green and affordable home, incorporating local student talent from Fleming College’s Sustainable Building and Design Construction program.
This home included:
– low flow everything;
– rain barrels;
– minimal construction waste;
– providing bike storage and transit access;
– a host of local Ontario products;
– R35 structurally insulated straw-bale panels;
– solar hot water;
– radiant in-floor heating;
– an HRV and condensing furnace;
– targeting LEED Platinum;
– all for only $210,000.
On top of the outstanding ecological and economic accomplishments, this project also earned high social merits thanks to the student involvement through Fleming College.
What the Judges Liked: Everything! While this home was acclaimed in this category, it is an exquisite example of what is desirable and possible in the field of green affordable housing. A family was provided with a quality, healthy, efficient home while the students gained valuable hands-on research and construction skills in how to make affordable housing ‘green’ and ‘green’ housing affordable.
For more information on the Competition and HSTA’s win visit here.
For more information about the Sustainable Building Design and Construction program visit here.
April 19, 2011 § 1 Comment
Another semester, another Show & Sale! Another Show & Sale, another post from us here at HSTA about how amazing our Show & Sale was…seriously. Once again, we were blown away by the professionalism, the quality and breadth of work, proud of the amount of participation from every in-season certificate and VCAD, and incredibly pleased with the response from the community. To make a bad pun, they came in legions. We keep saying it, but it only makes it more true….each time, our Show & Sale gets bigger : more work, more students, more visitors, more sales. Still only in its infancy, the bi-annual Show & Sale has proven itself to be a “don’t miss” event and here at HSTA we congratulate all of our students who participated and thank the legions from the Haliburton Community and beyond who came out in support of the emerging arts and our Campus.
April 15, 2011 § Leave a comment
You’re Invited! To an exhibition of photography, by John Davidson and Corin Ford Forrester -an HSTA Alumni of our Photo Arts Certificate, during the month of May in Toronto. They’d love it if you could join them for the opening reception May 1st from 5-8pm at Shanghai Cowgirl (restaurant) 538 Queen St. West (east of Bathhurst).
For more information on Corin, you can check out www.corinfordforrester.com.
April 15, 2011 § Leave a comment
Featuring HSTA instructor Ruth Read. Ruth currently teaches Drawing- An introduction to Basics (July 25-29 2011) in Haliburton School of the Arts summer program and is also an instructor in the Dual Credit program instructing High School students from Lindsay and Bowmanville in a college-level course, where they simultaenously acheive a high school course and a college credit plus valuable experience within post-secondary education in the Arts.
April 12, 2011 § Leave a comment
Image: Beans from Kitchen on Canvas
HSTA- VCAD and Glassblowing alumni, Deb Murphy, has recently been announced as an artist-in-residence at the newly resurrected Art in the Park at Pukaskwa National Park. Deborah will be in residence Friday, June 3 – Wednesday, June 8, 2011.
Approaching 60 and obsessing with the transience of life, Deborah resurrects life’s rejects in the materials she uses – from the fungi in her Gooderham, ON yard to the electrical wiring from her husband’s work to the windows from her godparents’ home. “My art escapes me with the force of a robust fart that refuses to be contained; accompanied by laughter and protests of surprise,” she says. Pukaskwa can’t wait to spend some time laughing with Deborah this spring! While in residence, Deborah will be offering workshops (Details to TBA.)
The resurrection all started with a local artist prompting, begging, nagging staff at the Park to bring back Pukaskwa’s Art in the Park program. They listened, and there’s no better year for it – this year marks 100 years for the world’s FIRST national parks system. Parks Canada is celebrating its 100th, and HSTA is proud that Deb is a part of it.
Pukaskwa located at the end of Highway 627, 15km south of the TransCanada Highway 17. The closest communities are Pic River First Nation and Heron Bay, also on Highway 627, and Marathon,a 25 minute drive west of the park. It is a 4.5 hour drive northwest of Sault Ste. Marie, ON and a 3.5 hour drive east of Thunder Bay.
Pukaskwa is a spectacular wilderness park located on the most rugged and wild section of the Lake Superior coast. Tucked into this shoreline is the 67-site Hattie Cove Campground. Known for its quiet and intimate feel, Hattie Cove is the sort of hidden gem the pulls visitors back year after year. But , Lake Superior makes its own weather. Even in the summer months, visitors should expect cool temperatures. Daytime highs rarely go higher than 25°C and evenings can be chilly around the fire. On the bright side, the days there are long!
Congrats again Deb!